Study & Film Programming

Film Programming

 

Six Minutes

Eye Filmmuseum, Amsterdam

June 2025

Link to program details

 

The Journey of the Hyena

Rijksakademie, Amsterdam

April 2024

Link to program details

 

Artists’ cinema, video and experimental film program

Nairobi, July 2023: Link to program details

Nairobi, October 2022: Link to program details

 

The Reading Room

 

2025

 

  • -Geologic Life: Inhuman Intimacies and the Geophysics of Race:  Kathryn Yusoff
  • -On Matter Beyond the Equation of Value: Denise Ferreira da Silva
  • Interview: Zakiyyah Iman Jackson on Becoming Human
  • -Remaindered Life: Neferti X. M. Tadiar
  • -To See the Earth Before the End of the World: Ed Roberson
  • -The Comet: W.E.B. du bois
  • -The End of White Supremacy, An American Romance: Saidiya Hartman
  • Cinenova
  • Metode
  • -Some of us did not die: New and selected essays of June Jordan
  • June Jordan appearing in Allen Ginsberg’s 1989 Brooklyn College class. Audio
  • -The Anarchist Library
  • -Drawings, prints and other archival material: The Collections Room at the Rijksakademie
  • Errant Journal
  • -Exquisite Edition: Lithography transfer tests on newsprint paper with handwritten text: Jackie Karuti
  • 100cm: Drypoint print of a foldable ruler. 10cm when folded, 100cm when unfolded: Jackie Karuti
  • -Chasing Muybridge: A flip book to accompany 24 projected slides: Jackie Karuti
  • -Sleeping Sickness (working title)- a screenplay treatment: Jackie Karuti
  • -Snail on the Slope: Boris and Arkady Strugatsky
  • Matter Mattering Matters– A Scienticity Reader: Edited by Kabelo Malatsie & Lantian Xie
  • -Flip book collection & limited edition artist books at the Rijksakademie Library
  • -Solidarity Must Be Defended: Edited by Eszter Szakács & Naeem Mohaiemen
  • -Thami Mnyele + MEDU Art ensemble retrospective: Edited by Clive Kellner & Sergio-Albio González
  • -Decolonising Design Education-Schools of Departure No.1: Edited by Bauhaus Dessau Foundation
  • -Fascinating Fascism: Susan Sontag
  • -She Unnames Them: Ursula K. Le Guin
  • -Your History with Me. The Films of Penny Siopis
  • -De grafiek van Goya: Rijksmuseum/Rijksprentenkabinet. Amsterdam 13 November 1970 – 17 January 1971
  • -In Defense of the Poor Image: Hito Steyerl
  • -The Book of Imaginary Beings: Jorge Luis Borges
  • -Bunker Archeology: Paul Virilio
  • -Theater, Garden, Bestiary: A materialist History of Exhibitions. Edited by: Tristan Garcia & Vincent Normand
  • -My Cinema: Marguerite Duras
  • -Radio Remediated: Sissako’s Life on Earth and Sembène’s Moolaadé: Marissa J. Moorman
  • -Sub-Saharan African film production. Technological paternalism: Manthia Diawara
  • -Dear Science and Other Stories: Katherine McKittrick
  • -Meeting the Universe Halfway- Quantum Physics and the Entanglement of Matter and Meaning: Karen Barad
  • -The Jazz of Physics- The Secret Link Between Music and the Structure of the Universe: Stephon Alexander
  • -Meridian Crossing Aesthetics: Jacques Derrida Interviews, 1974-1994
  • -Tools for Conviviality: Ivan Illich
  • -Sonic Meditations: Oliveros Pauline
  • -Time Lost, Instantaneity and The Image: Dorothea E. Olkowski
  • -Deleuze and the Limits of Mathematical Time: Dorothea Olkowski
  • -Race, Rhetoric and Revision: June Jordan as Utopian Architect: Charles Davis

 

2024

  • -Speed & Politics: Paul Virilio
  • -The Problems of Modernity. Adorno & Benjamin: Edited by Andrew Benjamin
  • -Bosses: Ghislaine Leung
  • -Units of Measurement: Jackie Karuti
  • -Politicization of Nature: Luxemburg, Kraus, Benjamin: Tom Vandeputte
  • -Reinventing the Medium: Rosalind E. Krauss
  • -Japan Video Topics: DVD list (1998-2017)
  • -Fog, Froth and Foam: insubstantial Matters in Substantive Atmospheres: Esther Leslie
  • -Life-Destroying Diagrams: Eugenie Brinkema
  • -Imagination: Vilem Flusser
  • -Instructional Cinema in Colonial Africa- An Historical Reappraisal: Dr. Femi Okiremuete Shaka
  • -Ciné-chronotones: Decolonial Temporal Critique in Contemporary Moving Image Practice: KJ Abudu
  • -Ousmane Sembene: The Aestheticization of Memory & history: Peter Mwaura Gachanja
  • -Visibility Machines: Harun Farocki and Trevor Paglen
  • -ZOO, or the letter Z, just after Zionism: Malkit Shoshan
  • -The Perception of the Environment: Essays on Livelihood, Dwelling and Skill: Tim Ingold
  • -The Arachnean and Other Texts: Fernand Deligny
  • -Harun Farocki- Soft Montages: edited by Yilmaz Dziewior
  • Pages 11: Stage so near so far: Concept & inititation by Nasrin Tabatabai & Babak Afrassiabi
  • -Togetherward: Christian Nyampeta
  • -Xenogenesis: The Otolith Group
  • -Ways of Worldmaking: Ben Rivers
  • -Walls to talk to: Jewyo Rhii
  • -Structural Film Anthology: Peter Gidal
  • -Tell it to the Stones. Encounters with the films of Danièle Huillet and Jean-Marie Straub
  • -Raw Materials for the Imagination: Alexander Kluge
  • -Inserts in Real Time: Dora Garcia, performance work 2000-2023
  • -Ideological Effects of the Basic Cinematographic Apparatus: Jean-Louis Baudry and Alan Williams

 

2023

  • -Axolotl: Julio Cortázar
  • -Versus the Multinational Vampires. An Attainable Utopia: Julio Cortázar
  • -Undrowned: Black Feminist Lessons from Marine Mammals: Alexis Pauline Gumbs
  • -Diego Garcia: Natasha Soobramanien and Luke Williams
  • -The Last Whole Earth Catalog, January 1971: Rare print edition
  • -Arte Povera: Germano Celant
  • -Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963: Samson Kaunga Ndanyi
  • -Exhibiting the New Art: ‘Op Losse Schroeven & ‘When Attitudes Become Form’ 1969: Christian Rattemeyer & others
  • -Slow & soft & righteous. Improvising at the end of the world (and how we make a new one): Sonia Louise Davis
  • -Slide Show. Projected images in contemporary Art: Darsie Alexander. With essays by Charles Harrison & Robert Storr
  • -How to imitate the sound of the shore using two hands and a carpet: Cevdet Erek
  • -Wind Tunnel Bulletin no. 11 & 13: Research Focus in Transdisciplinarity at Zurich University of the Arts
  • -Ordinary Notes: Christina Sharpe
  • -The Mushroom at the End of the World: Anna Lowenhaupt Tsing
  • -How to ‘correct’ Nostalgia: Danièle Huillet
  • -Cinema, meteorology, and the erotics of weather: Emil Leth Meilvang
  • -The Loop of Belatedness: Cinema After Film in the Contemporary Art Gallery: Thomas Elsaesser
  • -Expanded Vision and Blended Mediums: Remembering the Art of Michael Snow: Lukas Brasiskis, eflux

 

2022

  • -Cinema Expanded: Avant-Garde Film in the Age of Intermedia: Jonathan Walley
  • -The Skin of the Film. Intercultural Cinema, Embodiment, and the Senses: Laura Marks
  • -The hills have ideologies: The fûkeiron tradition in Japanese landscape cinema: Conor Bateman
  • -Memoria: Apichatpong Weerasethakul & team. The book features materials collected during the development, writing, pre-production & shoot of the film
  • -Steve McQueen: Tate Modern in collaboration with Pirelli HangarBicocca
  • -Black Chapel: Theaster Gates
  • -Institute of Radical Imagination(IRI)
  • -Working-class Cinema in the Age of Digital Capitalism: Massimiliano Mollona
  • -A glossary for arts education: On the Home Workspace Program 2014–2015: Edited by Özge Ersoy
  • -Publishing as Method: In Conversation with Özge Ersoy and Paul C. Fermin: IDEAS Journal
  • Jackie Karuti: Notes Movement Method
  • -Tube Dust Drone: Brückenmusik 1995-2015
  • -Sneak Review: Benjamin Patterson
  • -Das Rheingold (a new attempt): A multi-media opera by Ben Patterson
  • -I Will Draw a Map of What You Never See. Endeavours in Rhythmanalysis: SAVVY Books
  • -Ultrasanity. On Madness, Sanitation, Anti-psychiatry and Resistance: SAVVY Books
  • -The Russian Experiment in Art, 1863-1922: Camilla Gray
  • -Would That I Might Reach Myself Before All Others: Barbara Casavecchia on Maria Lai
  • -Ralph Lemon: Thomas J. Lax, MOMA
  • -What the Fire Sees: A Divided Reader
  • -Drive Your Plow Over the Bones of the Dead: Olga Tokarczuk

 

2021

  • -Orphans of politics: A conversation with Lea Melandri on dependency, autonomy, love: By Christina Chalmers
  • -Silvano Agosti in conversation with Adelita Husni Bey
  • -Breathing Out of School: Raw Académie. Edited by Koyo Kouoh
  • -All Incomplete: Stefano Harney & Fred Moten
  • -A Black Hole is Everything a Star Longs to Be: Kara Walker
  • -“1990: L.A., ‘The Gold Field‘”: Felix Gonzalez-Torres
  • -A Black Gaze: Artists Changing How We See: Tina M. Campt
  • -Agnes Martin: Paintings and Drawings 1974-1990: Published by Museum Wiesbaden
  • -Notes and Methods: Hilma Af Klint
  • -Methods and Processes: Ben Patterson
  • -Ben Patterson- Event Scores: Benedikt Stegmayer
  • -Ben Patterson- In the State of Fluxus: Published by Contemporary Arts Museum Houston
  • -Benjamin Patterson- Living Fluxus: Published by Nassauischer Kunstverein Wiesbaden
  • -Fluxus Vivus: The Arts Club of Chicago
  • -Cosmic shift: Russian contemporary art writing
  • -The Domain of the Great Bear: Mel Bochner & Robert Smithson
  • -Japanese Expanded Cinema and Intermedia: Critical Texts of the 1960s: Produced by Collaborative Cataloging Japan
  • -How Does The World Breathe Now? Film as witness, archive, and political tool: SAVVY Books
  • -We Have Delivered Ourselves from the Tonal- Of, Towards, On, For Julius Eastman: SAVVY Books
  • -An Apartment on Uranus. Chronicles of the Crossing: Paul B. Preciado
  • -Museum, Urban Detritus & Pornography: Paul B. Preciado
  • -Hauntology, Nostalgia & Lost Futures: Mark Fisher interviewed by Valerio Mannucci & Valerio Mattioli for Nero (2014)
  • -Acid Communism (unfinished introduction): Mark Fisher
  • -What are the politics of boredom? (ballard 2003 remix): k-punk 08.03.2005
  • -Invisible Inventories. Questioning Kenyan Collections in Western Museums: International Inventories Programme(IIP)
  • -People Who Think Together Dance Together: A Manifesto: Emma Wolukau-Wanambwa
  • -Antoni Tàpies. Updated reflections: Arnau Puig, Tàpies Today
  • -Art Without Work & Work Without Art: Georgia Sagri
  • -Motion Capture: Lucy Raven
  • -Movement short stories: Jackie Karuti
  • -The Thinking Hand: Existential and Embodied Wisdom: Juhani Pallasmaa
  • My body doesn’t exist: Paul B. Preciado
  • Tidalectic Lectures: Kamau Brathwaite’s Prose/Poetry as Sound-Space: Anna Reckin
  • -Book pull-out. Preliminary thoughts and constructions: Roseline Olang
  • -Etching ingredients: Jackie Karuti
  • Cosmic Bulletin: Institute of the Cosmos
  • -Matter of Record, 2010: Peterson Kamwathi
  • -Gray Latitudes: Michelle Angwenyi
  • -Behind the mirror: Jen Huxta
  • -Life Notes. Personal writings by contemporary Black women: Patricia Bell-Scott
  • -Slide Show. Projected images in contemporary Art: Darsie Alexander
  • International student handbook

 

2020

  • -Clay Plates. Broken Records of Kiswahili Proverbs: Alexis Teyie
  • -Condition Report III. On Art History in Africa: Raw Material Company
  • -Looking Forward. Looking Black, 1999: Jo Anna Isaak
  • -We Wanted a Revolution: Black Radical Women 1965-1985. A Sourcebook
  • -Down River Road (drr): Place & Ritual
  • -If I Could Write This in Fire: Michelle Cliff
  • -L’Internationale Online
  • Field Conditions: Stan Allen
  • -Material Thought: Siah Armajani and the Half-Open Door: Simon Beeson
  • 53 Acts of Living: Canisia Lubrin
  • -Hapticity and Time. Notes on Fragile Architecture: Juhani Pallasmaa
  • In The Den of the Alchemist: Souleymane Bachir Diagne
  • -Fate Work: A Conversation between Valentina Desideri and Stefano Harney
  • Semiotics of the Cod: João Pedro Vale & Nuno Alexandre Ferreira
  • -Black Visual Frequency: A Glossary: Tina Campt
  • The university is dead; long live the university: Wandia Njoya
  • -Public Sphere by Performance: Bojana Cvejić & Ana Vujanović
  • -E-ducating the gaze: The idea of a poor pedagogy: Jan Masschelein
  • -Beyond The River Yei. Life in the land where sleeping is a disease: Binyavanga Wainaina
  • -The Re-Enchantment of Humanism: An Interview with Sylvia Wynter: David Scott
  • The Ignorant Dramaturg: Bojana Cvejić
  • -Moving as Thing. Choreographic Critiques of the Object: André Lepecki
  • -Sculpture in the Expanded Field: Rosalind Krauss
  • Thought is a Material: Talking with Mel Bochner about Space, Art, and Language: Alexander Kranjec
  • -Black visuality and the practice of refusal: Tina Campt
  • -Form & Object. A Treatise on Things: Tristan Garcia
  • De-Territorializing the Child: Towards a Theory of Affect in Educational Philosophy and Research: Marta Pires
  • -Städelschule Lectures: 2019-1999
  • -Duty Free Art. Art in the age of planetary civil war: Hito Steyerl
  • Cinephilia and Monstrosity: The Problem of Cinema in Deleuze’s Cinema Books: Claire Perkins
  • -The House of Hunger: Dambudzo Marechera
  • -En atendant & Cesena: A Choreographer’s Score: Anne Teresa de Keersmaeker & Bojana Cvejić
  • -Festac ’77: Chimurenga
  • -Maps And Wander Lines: Fernand Deligny
  • -(panic) shopping list(s)
  • -No Roses from My Mouth: Poems from Prison: Dr. Stella Nyanzi
  • Listening to Images: Tina M. Campt
  • -In the Wake: On Blackness and Being: Christina Sharpe
  • -Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance: Bojana Cvejić
  • Towards a Poetics of Imagination. On Mette Edvardsen’s poetry and its penchant to imagine a clandestine side to things: Bojana Cvejić
  • -Walenisi: Katama Mkangi
  • -The Undercommons: Fugitive Planning & Black Study Stefano Harney and Fred Moten
  • -Deutscher Pavillon 2013, La Biennale di Venezia: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh
  • -The Wretched of the Earth: Frantz Fanon
  • ArtAsiaPacific
  • Monoskop

 

2019

  • -Shin Egashira: Before Object, After Image. 1996 – 2006 Koshirakura Landscape
  • -Kodwo Eshun: More Brilliant than the Sun; Adventures in Sonic Fiction
  • -Fernand Deligny: Maps & Wander Lines
  • -Sophie Podolski: The country where everything is permitted
  • -Grace Ndiritu: Institutional Critique: Racism & Spiritual Practice in the Art World, 2019
  • -Tim Ingold: Lines-a Brief History, The Life of Lines, Being Alive, Making
  • -IKON: second series #1. Fall/Winter 1982-83
  • -The Sarai Reader book series
  • -The Adventures of Thiga: C.M Mureithi
  • -K-punk: The Collected and Unpublished Writings of Mark Fisher
  • -Capitalist Realism: Mark Fisher
  • -The Essential Writings of Marcel Duchamp: Edited by Michel Sanouillet & Elmer Peterson
  • -Sinazo Chiya: 9 More Weeks
  • eflux: Anton Vidokle and Hito Steyerl- Cosmic Catwalk and the Production of Time
  • -Another Country: James Baldwin
  • eflux: Raqs Media Collective- Stammer, Mumble, Sweat, Scrawl, and Tic
  • -Visual Culture: the reader. Edited by Jessica Evans & Stuart Hall
  • Ibraaz: Contemporary Visual Culture in North Africa & The Middle East
  • KADIST: A Distinct Itinerary in. Space and. Time.
  • -Ngũgĩ wa Mirii: On Literacy Content, 1979
  • -James Muriuki & Syowia Kyambi: Layers
  • -Chimurenganyana: When you kill us we Rule! Fela Anikulapo Kuti’s last interview. By Keziah Jones
  • -Monsieur Antipyrine’s Manifesto: Tristan Tzara
  • -Texte Zur Kunst: Globalisms
  • -Ashraf Jamal: In The World. Essays on Contemporary South African Art
  • -Àsìkò: residency notes
  • -Co.@rtnews
  • -Jackie Karuti: The Address (Book)
  • -Kochi-Muziris Biennale, 2018 catalog: Possibilities for a Non-alienated Life
  • -Jackie Karuti responding to Wolfang Tillmans’ work: What else can a photograph be?
  • Kwani? journal: Books 1-8

 

2018

  • -Felwine Sarr & Bénédicte Savoy: The Restitution of African Cultural Heritage. Toward a New Relational Ethics
  • -Jonathan Gathaara Sölanke Fraser: FOSSILS (or the movement of an image across a field of memory)
  • -Michelle Angwenyi: BIRD. an alternative thesis
  • -Neo Sinoxolo Musangi: Homing with My Mother / How Women in My Family Married Women
  • African Art Since 1992: A Timeline of Momentous Events in And Around The Continent
  • -Soul of a Nation. Art in the Age of Black Power: Edited by Mark Godfrey & Zoé Whitley
  • -Museum fur Volkerkunde, Frankfurt-Signs: Art from East Africa 1974 – 1989
  • -Dak’Art Biennale 2018 Catalog
  • -The Invention of Zimbabwe: The Chronic, Chimurenga-April, 2018
  • -XiBARUU TEERE YI(‘Chronic Books’ in Wolof): What can African Writers Learn from Cheikh Anta Diop?
  • -A Path Not Taken: The Story of Joseph Murumbi. Africa’s Greatest Private Cultural Collector and Kenya’s Second Vice-president. Anne Thurston
  • -9 Weeks: Hansi Momodu-Gordon
  • -African Sexualities: Sylvia Tamale
  • -Purple: John Akomfrah
  • -documenta 14: Daybook & Reader
  • -SOUTH as a state of mind
  • -Àsìkò: on the future of artistic and curatorial pedagogies in Africa
  • -Curriculum of Connections. Focus: Education- Contemporary &: Special documenta 14 edition
  • -Condition Report: symposium on building Art institutions in Africa. Edited by Koyo Kouoh
  • Kwasi Ohene-Ayeh 

 

 

 



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